Big list of common triads and four note chords of the scale C Whole Tone #'S You’ll also see aug7, +7 and 7(#5) for the augmented 7th chord. I like #3 9♭5, the 9♭5♭13 and E9♭5♭13, but I don’t like any of the other shapes. All open chords for every chord type in every key. along the fretboard So you can build a Fmaj♭5 and Fmaj7♭5 chord. Both augmented and major flat 5 chords (dominant 7 flat 5 chord or just 7♭5) can be built from the notes of the whole tone scale. 5) I also included the only E♭9♭5♭13 chord which is from the D♭ WT scale. Dominant 9th chords with raised 5ths are really weird but believe it or not, I have run across them in charts before. music for The most “unique” notes in the scale are the lowered and raised 5ths (♭5, #5) similar to a 7alt chord but with a 9 as opposed to altered 9ths (b9, #9) that is common with altered 7ths. A major scale is formed with the formula W-W-H-W-W-W-H. A Whole Tone scale has no consonant chords, but it contains every Augmented chord formed by considering any note of the scale as the root. Silverman’s Folk Song Encyclopedia: Jeanie with the Light Brown Hair page 129 Vol I. 2) For the #2 7♭5 shape, you can bar the root & ♭7 with the 1st finger as a different fingering. “It’s your mind, it’s your creativity, it’s your guitar, and most importantly, it’s your music – do what you want to do (just make sure it sounds good)”. For example, the C whole tone scale has the notes that are in the C and D augmented triads. Or sometimes just sharpening the 5th tone of the chord in place of the dominant 7 chord, we the raised 5th tone gives the piece of music an ethereal sound. The altered scale. The scale formula is W-W-W-W-W where “W” stands for whole tone. Scale - Whole Tone 1,2,3,#4,#5,b7 FULL-th pattern Root note - A Guitar Tuning: Standard - E-A-D-G-B-E Beach Boys: 7♭5 in When I Grow Up, 9♭5 in Orange Crate Art. It may not be something you like, but you won’t know until you give them a try. I like all 3 E7#5 shapes, but none of the 9#5 shapes. A: Much of what goes into deciding what scale to use over any given chord is all about the context (what chords are surrounding it, how is it functioning harmonically, etc.) I have 13 total closed 7♭5 voicings and 7 open E 7♭5 chords built from this scale. Here, Guitar And they resolve to both the major and minor tonic chord. Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. I suggest that the major ♭5 chord is the base of 7♭5 chords. Before print or download please save it first. For example, a C augmented chord, C – E – G#, would take the C whole tone scale. following the Justin Guitar Honor-System: if you can afford it, please consider supporting FaChords Guitar by buying the ebooks: This ebook is for those players who want a deeper understanding of the chords Every note in the whole tone scale can act as the tonic of the scale. There are 2 base chords: the augmented triad and the chord that has a major 3rd and diminished fifth. Now I’ve never seen the 9♭5♭13 chord mentioned anywhere, though I’m willing to bet piano players stack the whole tone scale to play all 6 notes (1-3-♭5-♭7-9-♭13). that will help you learn how to move freely on the neck and play any chord you want in any I do not have any chord voicings for the maj ♭5 chord because I don’t see the need for it (I don’t see it as a valid chord). The whole tone scale is very easy to play , but it’s not always an easy scale to place in your music. Donations will allow me to pay my bills and provide you with great content. So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. This scale can also be referred to as the diminished whole-tone scale (in that it begins with the half-whole diminished scale and ends with the whole-tone scale): This stands for whole step, whole step, half step, whole step, whole step, whole step half step. E: E+, E7#5, E9#5 guitar Either play a 7♭5 or an add#11 chord. Whole Tone Scale This scale works of Dominant 7#5 chords or can be used to create tension in other environments too - it's a fun one to explore and has angular geometric patterns on the neck which can make for fun trippy exploration! The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. On this page, you find several fretboard diagrams for the Whole-Tone scale, with box and 3 notes per string patterns. Last but not least there is the 9♭5♭13 chord which is an interesting chord that I came up with by adding every note of the whole tone scale. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh. Minor scales – do use use dorian? Scales are usually compared to the Major Scale to find the intervals used, but because the Whole Tone Scale has 6 notes (Major Scale has only 7) it makes better sense to just look at it intervallically. 16 7#11 & 7b5b9 Guitar Chord Shapes (G & Db), 8 Open D♭7♭5#9 & 3 Closed 7♭5#9 Guitar Chord Voicings, What Is A Guitar Ghost Note? 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; You'll find more than 800 chord voicings If you continue to use this site we will assume that you accept the use of cookies. Some theorists have classified them as WTO (whole tone O) and WT1 (whole tone 1). Whole tone scale = W-W-W-W-W-W (2-2-2-2-2-2) Whole-Half Diminished = W-H-W-H-W-H-W-H (2-1-2-1-2-1-2-1) Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. #1) The scale adds tension but has no resolution. Here's the Secret: Whenever there are Augmented Chords put in the music arrangement, we can readily play part of the whole tone scale into the chord. It’s direct application would be on augmented chords, That is, any chord with a raised fifth degree. The Whole Tone scale exists with two sets of notes: C - D - E - F# - G# - Bb (shown above) C# - D# - F - G - A - B This is because there is no leading note in a whole tone scale, since it can be played symmetrically from any note on the keyboard, and all the intervals are the same. To learn more about scales, check our complete guide on How to play guitar 5 and 6 Note Chords: C#9b5 C#9#5 D#9b5 D#9#5 F9b5 F9#5 G9b5 G9#5 A9b5 A9#5 B9b5 B9#5. It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. 7#5 = augmented 7th = 1–3–#5–♭7 Dm7. Here are the augmented chords that can be built on the note C from a C whole tone scale: D: D+, D7#5, D9#5 The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. If you don’t like the sound of the chords, don’t use them. And since 9♭5♭13 chords are made up of 3 tritones, they resolve beautifully to 6 different keys by a half-step above each chord tone (or below each chord tone). So a C9♭5♭13 chord (all the notes in a C WT scale) resolves to D♭, E♭, F, G, A, & B (all the notes in a D♭ WT scale!). 3) #2 of the 9♭5 is pretty difficult to hold so #1, #3 and #4 are better options. Most jazz guys know you can build a 7♭5 & 9♭5 chord from the WT scale. (Guitar Technique). C9♭5♭13 = C–E–G♭–B♭–D–A♭ = 1–3–♭5–♭7–9–♭13. The aug triad and 7#5 chords are mostly used in place of the V chord. 1) I marked the 1 and the ♭5 of the 7♭5 chords as root notes since they both are\can be the root of the chord. The add#11 is a nice dissonant chord. You can also look at the scale as two augmented triads separated by a whole tone. Unless you really want to get weird and just want to add some really bizarre stuff to impress your friends that are into Jazz, Fussion and contemporary classic music. That is the chord name used in a Pink Floyd song (see below). In that article, I include songs that use the aug triad. Try sliding a  7♭5 chord up or down 6 frets and it’s the same chord with the same notes just with a different note in the bass. A C# augmented chord, C# – F – A, would take the C# whole tone scale. Apps, How to read The mysterious, aimless, and rootless sound of this scale can make it difficult to know exactly when to use it. A good substitute for a dominant 7th chord is a 7♭5 a ♭5 away, so try a G♭7♭5 in place of a C7 chord. The harmony of the whole tone scale is rarely explored like traditional scales and modes. Domination. Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. Beatles: From Me To You Tones and Semitones in a Minor Scale A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. That is why I’ll be using the notes C, D, E, G♭, G# & B♭ when covering the C whole tone scale. I assume the maj ♭5 chord is similar given the option of the IV in a major key. And finally, it’s common to hear the whole tone scale in movies and TV shows during fantasy, flashbacks or dream scenes. Sting: 7♭5 in Seven Days The Whole Tone Scale consists of note a whole step apart. Here is a chart of the symbols on my chord blocks: Here are 12 closed augmented 7th chord voicings and 6 open E chord shapes. This altered scale is sometimes referred to as a diminished whole-tone scale (it’s part half-whole diminished scale and part whole-tone scale) and is also the melodic minor scale starting on the 7th note (in G7, an Ab melodic minor scale). #2) Because of the root, 3rd & ♭7 of EVERy chord built from the scale, you can add tension using the scale over dominant 7th chords – 7, 9 & 7#11 chords would be best. We use cookies to ensure that we give you the best experience on our website. There is a much easier way to form this scale. The pattern for a whole-tone scale is easy to remember because it consists only of whole-steps (W): The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. . Ab (or G#): Ab7♭5, Ab9♭5, A♭9♭5♭13 Play the whole tone scale over this progression, and then try to improvise over it. Notes: I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. The notes of the first one, WT0 is C – D – E – F# – G# – A#, while the notes of the other scale are Db – Eb – F – G – A – B. fellow guitar players! because allow you to: In the new ebook, Chords Since 2013, FaChords Guitar has grown a lot (12.000 subscribers and counting!) C whole tone scale = C-D-E-F#-G#-A#. #3) The scale is ideal over +, 7#5, 9#5, 7♭5 and 9♭5 chords. Here are some song examples that use an augmented 7th chord (7#5 chord & one 9#5): Sting: Mad About You You only need to look at one note because every other note builds the same chords. scales Grateful Dead: Till the Morning Comes The open E and E♭ 9♭5♭13 chords are the ONLY open chord shapes possible. Here are some songs I found that use flat 5 chords: Pink Floyd: maj ♭5 in Great Gig in the Sky If you made any changes to your settings. Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). If you need help in reading the diagrams on … My favorite 7♭5 shapes are #1 & 3. If we assign a scale degree to each note in the whole tone scale, we get 1, 9 (2), 3, #11 (#4), #5, and b7. Every note in the whole tone scale can act as the tonic of the scale. C7♭5 = G♭7♭5. and server bills Major chords – do use use whole tone? E: E7♭5, E9b5, E9♭5♭13 The fact that the chords and the scale don’t have any sense of resolution makes it difficult to listen to for long periods of time, like for a whole song. Read my article Chords From Scales for a list of all the 7#5 and 7♭5 chords. 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